Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Here are all the paintings of ALLORI Alessandro 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
4690 Allegory of Human Life  kig ALLORI Alessandro Allegory of Human Life kig 1570-90 Oil on copper, 37 x 27 cm Galleria degli Uffizi, Florence
58372 Cosimo I dressed in a portrait of Qingqi Breastplate ALLORI Alessandro Cosimo I dressed in a portrait of Qingqi Breastplate mk261 Florence, about 1555-1560 years wood canvas 105 x 81 cm
29872 Hercules Crowned by the Muses ALLORI Alessandro Hercules Crowned by the Muses mk67 Oil on copper 15 3/4x 11 1/8in Uffizi,Gallery
29137 Madonna and Child ALLORI Alessandro Madonna and Child mk65 Oil on canvas 51x45"
68627 Maria de Medici ALLORI Alessandro Maria de Medici Date Deutsch: um 1555 Technique Deutsch: Öl auf Pappelholz Dimensions Deutsch: 114,5 x 89,5 cm
74234 Maria de Medici ALLORI Alessandro Maria de Medici Date Deutsch: um 1555 Medium Deutsch: Öl auf Pappelholz Dimensions Deutsch: 114,5 x 89,5 cm cyf
45420 Museum art historic Christ with Maria and Marta ALLORI Alessandro Museum art historic Christ with Maria and Marta mk186 1605 Vienna
86291 Pearl Fishers ALLORI Alessandro Pearl Fishers Oil on slate, 116 x 86 cm cyf
84317 Portrait of a Florentine Lady ALLORI Alessandro Portrait of a Florentine Lady 16th century Medium Oil on panel Dimensions 54.6 x 42.3 cm (21.5 x 16.7 in) cyf
76233 Portrait of a Florentine Nobleman ALLORI Alessandro Portrait of a Florentine Nobleman Date 16th century Medium Oil on panel Dimensions 70 ?? 55 cm (27.6 ?? 21.7 in) c yf
4689 Portrait of a Woman hhhy ALLORI Alessandro Portrait of a Woman hhhy 1570-90 Oil on copper, 37 x 27 cm Galleria degli Uffizi, Florence
4691 Portrait of a Young Man  hgjgh ALLORI Alessandro Portrait of a Young Man hgjgh Oil on canvas transferred from wood, 117 x 87,5 cm The Hermitage, St. Petersburg
29813 Portrait of Barbara Pallavicino ALLORI Alessandro Portrait of Barbara Pallavicino mk67 Oil on panel 18 5/16x13 3/4in Uffizi,Gallery.
96471 Portrait of Bianca Cappello ALLORI Alessandro Portrait of Bianca Cappello 16th century Medium oil cyf
77195 Preaching of St John the Baptist ALLORI Alessandro Preaching of St John the Baptist Date between 1601(1601) and 1603(1603) Medium Oil on copper Dimensions Width: 47 cm (18.5 in). Height: 39 cm (15.4 in). cyf
4692 St Peter Walking on the Water ALLORI Alessandro St Peter Walking on the Water 1590s Oil on copper, 47 x 40 cm Galleria degli Uffizi, Florence
32224 Susanna and The Elders ALLORI Alessandro Susanna and The Elders Oil on canvas, 202 x 7 cm
73136 Susanna and the Elders ALLORI Alessandro Susanna and the Elders Date Medium Oil on canvas Dimensions 202 X 117 cm (79.53 X 46.06 in) cyf
29869 The Annunciation ALLORI Alessandro The Annunciation mk67 Oil on canvas 63 3/4x40 9/16in
42023 The Anunciacion ALLORI Alessandro The Anunciacion mk166 1603 I Wave on cloth 162x103cm Galeria of the Academy Florence
45477 The banquet of the Kleopatra ALLORI Alessandro The banquet of the Kleopatra mk186 1570 Florence, Palazzo Vecchio, Studiolo di Francesco I de' Medici
29870 The Baptism of Christ ALLORI Alessandro The Baptism of Christ mk67 Oil on panel 65 1/8x38 3/16in
4688 The Body of Christ with Two Angels ALLORI Alessandro The Body of Christ with Two Angels Oil on copper, 45 x 39 cm Museum of Fine Arts, Budapest
45493 The communion ALLORI Alessandro The communion mk186 1582 Florence, Stanta Maria del Carmine
45485 The wedding to canons ALLORI Alessandro The wedding to canons mk186 1592 Florence church Sant' Agata
4693 Venus and Cupid ALLORI Alessandro Venus and Cupid Oil on wood Mus??e Fabre, Montpellier
32226 Venus and Cupid ALLORI Alessandro Venus and Cupid Oil on wood

ALLORI Alessandro
Italian Mannerist Painter, 1535-1607 Born in Florence. After the death of his father in 1540 he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy. Freedburg derides Allori as derivative, claiming he illustrates "the ideal of Maniera by which art (and style) are generated out of pre-existing art." The polish of figures has an unnatural marble-like form as if he aimed for cold statuary. It can be said of late phase mannerist painting in Florence, that the city that had early breathed life into statuary with the works of masters like Donatello and Michelangelo, was still so awed by them that it petrified the poses of figures in painting. While by 1600 the Baroque elsewhere was beginning to give life to painted figures, Florence was painting two-dimensional statues. Furthermore, in general, with the exception of the Contra Maniera artists, it dared not stray from high themes or stray into high emotion.
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